“With Richard Egarr’s brilliance as its music director, this orchestra is playing better than ever.”
Pittsburgh Post-Gazette, April 2007

“The Academy of Ancient Music sounded sparkling and fresh. For three decades, this British chamber ensemble has given illuminating performances.”
Washington Post, April 2006

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The Academy of Ancient Music is one of the world’s first and foremost period-instrument orchestras. Concerts across six continents and over 250 recordings since its formation by Christopher Hogwood in 1973 demonstrate the AAM’s pre-eminence in music of the Baroque and Classical periods.

Richard Egarr succeeded Hogwood as Music Director in September 2006, and his inaugural season has won glowing praise from critics and audiences alike.  His first tour of the USA as AAM Music Director in April 2007 included a critically acclaimed debut with the orchestra at Carnegie Hall.  His first recording directing the AAM – Handel’s Opus 3 sonatas – won warm praise on both sides of the Atlantic and was awarded the 2007 Gramophone Award for baroque instrumental music.

Performances with Egarr in 2007-08 showcase the full scope of the AAM’s capabilities, from major choral works to Handel’s intimate Opus 1 sonatas; from Bach’s landmark Brandenburg Concertos to little-known masterpieces by Marini and Muffat.  Highlights will include the next four recordings in an ongoing AAM series for Harmonia Mundi, performances of Handel’s Messiah around Europe with the newly-formed Choir of the AAM and numerous projects in the UK.

The vitality of the AAM’s music-making continues to be fostered by a range of guest directors. This season, Hogwood — now Emeritus Director — conducts the second of his series of three Handel operas leading up to the composer’s anniversary in 2009, the renowned baroque expert Masaaki Suzuki and violinists Giuliano Carmignola and Pavlo Beznosiuk all lead projects, and the AAM continues to work with Polyphony and the Holst Singers and with the choirs of King’s College Cambridge and Trinity College Cambridge.

The orchestra’s pioneering recordings under Hogwood for Decca’s L’Oiseau-Lyre label cover much of the Baroque and Classical orchestral canon, from concertos and symphonies to opera and oratorio. This includes the first recordings on period instruments of many works, such as Mozart’s complete symphonies, and prize-winning opera recordings of Handel, Haydn and Mozart with soloists including Emma Kirkby, Cecilia Bartoli and Joan Sutherland.

In addition to the numerous Decca releases, further projects have resulted in recordings for EMI, Chandos, Erato and Harmonia Mundi. These include discs of Bach, Handel, Vivaldi and Purcell with the Choir of King’s College Cambridge, Pergolesi, English coronation music and Handel’s Messiah with the Choir of New College Oxford, and several discs for Harmonia Mundi of music from Bach to Tavener under Goodwin, Egarr and Andrew Manze.

The AAM is Orchestra-in-Residence at the University of Cambridge.

Visit www.aam.co.uk for further details of the AAM’s activities worldwide.

Purchase Tickets: $64, $49, $38, $25

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Listen to Concerto in F Minor (BWV 1056)- III. Presto and
Concerto in A Major (BWV 1055)- III. Allegro ma non tanto

Read the Program and Program Notes