
Dominique Labelle |

Dominique Labelle, soprano
Friday, October 18, 2013, 8pm
First Church in Cambridge, Congregational
Music of Luigi Boccherini, including his sublime Stabat Mater
“One of the most subtly moving evenings of music I've heard in some time.”
—The Hub Review |
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Saturday, November 9, 2013, 8pm
St. Paul Church, Cambridge
Discovering Renaissance Treasure: Morales, Guerrero, Ribera, and Victoria
“A crack choir...breathtakingly beautiful.”
—BBC Radio 3 |
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Glorious highlights from BEMF’s first five Chamber Operas
Sunday, December 1, 2013, 3pm
New England Conservatory’s Jordan Hall, Boston
Paul O’Dette & Stephen Stubbs, Musical Directors
Gilbert Blin, Stage Director
“Every sound…glowed with vibrant life.”
—The Boston Phoenix |
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Peter Phillips, director
Saturday, December 14, 2013, 8pm
St. Paul Church, Cambridge
Renaissance Music for the Holiday Season: Victoria, Verdelot, Bruckner, and Guerrero
“Flawless and marvelously transparent singing.”
—Gramophone |
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Eric Hoeprich, basset clarinet
Saturday, January 18, 2014, 8pm
First Church in Cambridge, Congregational
Music of Haydn, Beethoven, and Mozart
“Astonishing brilliance, gracefulness and intelligence.”
—Goldberg Magazine
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Benjamin Bagby, director
Saturday, February 1, 2014, 8pm
St. Paul Church, Cambridge
Mystical Voice of Medieval Germany: Masterpieces of the Benedictine visionary and composer Hildegard von Bingen
“[Sequentia] performs with both scholarly insight and dramatic verve.”
—The New Yorker |
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Friday, February 21, 2014, 8pm
NEC’s Jordan Hall, Boston
Music of Wolfgang Amadé Mozart
“The finest living exponent of the fortepiano.”
—The Herald, UK |
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Friday, March 7, 2014, 8pm
St. Paul Church, Cambridge
The Battle for Florence: Power versus piety – Music for the Medici and Savonarola
“Stile Antico represents the future of serious,
unhyped, technically polished, stylistically
attuned, and musically affecting choral
performance.”
—Classics Today |
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James Taylor |

Paul O’Dette & Stephen Stubbs, directors
James Taylor, The Evangelist
Friday, April 18, 2014, 8pm
NEC’s Jordan Hall, Boston
Johann Sebastiani’s exquisite, early setting of the St. Matthew Passion (1672)
“The playing of the chamber ensemble had zest
and polish in equal measure.”
—The Boston Globe |