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BEMF in Review

Saturday, November 29 at 8pm ~ New England Conservatory’s Jordan Hall

BOSTON EARLY MUSIC FESTIVAL
CHAMBER OPERA SERIES

Venus and Adonis by John Blow

Actéon by Marc-Antoine Charpentier

Paul O’Dette Stephen Stubbs Gilbert Blin

Paul O’Dette & Stephen Stubbs, Musical Directors
Gilbert Blin, Stage Director
Lucy Graham, Choreographer
Anna Watkins, Costume Designer

In response to overwhelming demand, the Grammy-nominated Boston Early Music Festival introduces its annual Chamber Opera Series to the 2008–2009 concert season. Our first presentation offers a double-bill of two exceptional chamber operas depicting the fates of two unfortunate young hunters who encounter powerful goddesses.

In addition to their shared backdrop of the hunt, Blow’s Venus and Adonis and Charpentier’s Actéon are both based on myths that appear in Ovid’s Metamorphoses and highlight the theme of transformation. In Blow’s adaptation of the myth of Venus and Adonis—the earliest surviving English opera—Venus falls in love with Adonis after being struck by Cupid’s errant arrow, and then encourages him to hunt the very wild boar that eventually gores him to death. In Charpentier’s Actéon, when the title character discovers the goddess Diane bathing with her attendants in the woods, he incurs her wrath when he is transformed into a deer and torn apart by his own hounds.

Don’t miss this once-in-a-lifetime semi-staged performance of these exquisite operatic gems!

Amanda Forsythe Tyler Duncan Aaron Shehan

Amanda Forsythe as Venus
Tyler Duncan as Adonis
Aaron Sheehan as Actéon

“Everything operagoers and early-music enthusiasts expect in baroque opera.”
The Berkshire Eagle

Listen to an excerpt from BEMF’s Grammy-nominated recording of Lully’s Thésée